Metaphysical Meme and Precog Polyart

Welcome to my heart's desire. I started this journey in 2010. I've come to understand that no United States-based fan organization is currently operating--or if there is, it's well under the radar. Well, that's just wrong. So it is that I'm taking on the challenge of calling all fans and enthusiasts in the States to join me (yet again) in creating a new online group where we can discuss and share and show that yes, there is interest in the United States! If you would be interested in this new project, please contact me at ejconroy778@gmail.com and let's see what we can create!

Tuesday, June 14, 2011

Essentials and Rarities Review

From playgroundmag.net

Jean Michel Jarre has always been a hard one to crack in the underground, as the memories of his excesses, especially those concerts in front of over a million people and his omnipresence in the eighties, still weigh on us heavily. In fact, even today, his music is seen as an extension of the worst commonplaces of progressive rock, the stuff that punk sought to eradicate: the symphonic, the epic, the virtuoso complacency, the passivity instead of angst, and even a certain scientific optimism close to new age, which is now strangely out of fashion. However, over the past few years there have been cautious attempts to revaluate certain aspects of his production, in the first place with the first wave of cosmic synths led by Lindstrøm, but most of all after the revolution caused by hypnagogic pop. A very clear example was given in a very funny article in The Wire, where Savage Pencil described how “hypnagogic kids” (sic) were flooding the secondhand stores to buy old Jean Michel Jarre vinyls.

The first CD of this double compilation album focuses on the most triumphant part of his career, and not one of his hits is missing, even to the point where it seems too obvious a selection, mostly because there already are a lot of other compilations with very similar tracklists. I suppose it’s a strategy to make the second, much more interesting part more attractive commercially, but in any case, it’s quite revealing to hear those compositions again after a few seasons of listening to artists like Stellar Om Source and Oneohtrix Point Never. Without a doubt, more than one of Jarre’s ideas have been used in hypnagogic pop, although with less grandiloquence and more darkness.

But, as said, the second part of the CD is the truly interesting one. It’s a collection of tracks from albums and singles prior to “Oxygène” (1976), which show quite a different side to the French musician. While it was known that Jean Michel was a student of Pierre Schaeffer in his Groupe de Recherches Musicales (Musical Research Group), it was almost an insignificant piece of information due the fact that the music he made under the influence of that group drew hardly any attention at the time and that, until now, few people had heard it, which made it hard to evaluate the true importance of his episode as a student of one of the pioneers of electronica and concrete music.

The excellent “Happiness Is A Sad Song” is a surprising opening to the second CD, a song made especially for an art exhibition, that shows Jarre as a good student of Schaeffer, completely immersed in the sound of the GRM and getting the best out of it. It’s not bad at all, as a starting point for his career. A big part of what follows shows an embryonic Jarre, experimenting in different fields, like prog, on the delicious “Hypnose”, on which his preference for the grandiloquent melody that has characterised the better part of his work is already showing. “Erosmachine” and “La Cage” were on a 7” that is, without a doubt, one of the most interesting rarities of this collection. It’s a single that would now most likely be released by Ghost Box. The two songs are spot on, from the meticulous sonic design in stereo and the oppressive tone of “Erosmachine” to the rhythmic exploration and abrasive sounds of “La Cage”.

The rest of the selection focuses on the two albums prior to “Oxygène”: the soundtrack of “Les Granges Brûlées” and “Deserted Place”, an album of library music constructed basically from a Farfisa organ and an EMS synthesiser. Of the two, the most interesting moments are on the latter, as the first is somewhat more functional, despite its trademark melodic attractiveness. Those melodies have a very Ghost Box-ish flavour to them on “Windswept Canyon”, of which the placid tone is accompanied on several occasions by a bubbling rhythm and the abrasive character of the sound of the wind mentioned in the title. Many of the tracks off “Deserted Place” are short, as they should be, because it’s library music, but there are also some interesting, albeit failed, experiments, like the upbeat “Rain Forest Rap Session” or the dismissible “Music Box Concerto” and “Iraqui Hitch-Hiker”. The songs from “Deserted Place”, in general, show Jarre as hesitant and irregular, but eager to try out different ideas with a more Spartan aesthetic than what he would do later on in his career.

“Essentials & Rarities” is, therefore, an inconsistent but opportune compilation, as it allows us to clarify his little-known beginnings at a time when his music is on the rise again, thanks to hypnagogic pop and the new cosmic sounds.

My Bad

I guess I'm apologizing to myself more than to anyone else. Things have gotten a little bumpy lately and I haven't been posting here as much as I'd like to. However, I want to credit my copy of "Essentials and Rarities" for helping me get through what's been kind of a rough time. But things are looking up, and I hope to have much to share about the "Princely Wedding" in Monaco and Jarre's jaw-dropping free concert in celebration at Port Hercule!

Sunday, June 5, 2011

Euronews Partnership

For the first time in its history, euronews is becoming a partner with a major figure of the music world to create a unique alliance between an international news channel and a world-renowned artist.

An extraordinary alignment of the stars must have brought about this surprising, yet natural joining of forces. The international news channel, euronews, and the world-renowned musician, Jean Michel Jarre, have decided to work together to cover a series of events, uniting their respective talents and know-how.


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euronews and Jean Michel Jarre gravitate in similar directions, using the strength of images projected on the international stage. They also share common roots in the city of Lyon where Jarre was born and where euronews was established in 1993.

euronews will now accompany the artist on his European and global tours in the coming years.

The channel will be covering the release of Jean Michel Jarre's albums, including the upcoming "Essentials & Rarities," available as of Monday, 30 May 2011.

euronews will also participate in Jarre's European tour which will soon take him to every corner of the continent

Jean Michel Jarre and the teams of Euronews are exploring a whole range of collaborative projects on themes such as innovation in images, sound, the media and emerging technologies.

No Comment Live at the concert in Monaco

euronews will give a live, exclusive broadcast of the concert by Jean Michel Jarre for the wedding of H.S.H. Prince Albert II of Monaco and Charlene Wittstock on 1 July. The show will be rebroadcast on a special edition of the channel's emblematic programme, "No Comment Live," and on all of its media platforms. From the event preparations to the live concert at Port Hercule and the ceremony, euronews will for the first time in its history create a real media event with complete coverage of the princely wedding. The build-up in the week before the celebration and highlights including the concert will be detailed in an upcoming press release by the channel.

About the partnership, Jean Michel Jarre said, "I always watch euronews during my frequent travels around the word. I genuinely appreciate the channel and feel a close connection with the values it defends: pure information, without distortion, factual analysis and a comprehensive perspective on the world. For me, it is an incredible resource for sharing and a platform for my European projects."

Michael Peters, Managing Director of euronews, explained, "The contact with Jean Michel Jarre has convinced us that an international news channel like euronews can venture into new territory by creating such an original partnership. We have found a synergy in the uniting of two different worlds and euronews is proud to accompany Jean Michel Jarre and his team on their worldwide audio-visual explorations."