Friday, May 13, 2011
America, Meet Jean-Michel Jarre
It's probably no surprise that Jean-Michel Jarre isn't exactly a household name in the United States. He's not controversial, he's not making a fool of himself in public, he doesn't have a reality show or a fashion line (even if many people think he must be a designer based on his name), and his music actually requires the listener to be still and have an experience. He's never released an "Unplugged" album (obviously). For me and my coterie of Jarre fans, these are all positive things. But we're the exception.
Being a United States citizen, I've taken a step back to look at musical artists and the whole industry, wondering how would Jarre fit into the aural matrix. First, I refuse to believe that there's not a clandestine population of would-be fans who have simply never been introduced to Jarre and his work. Heck, I have to think of how I myself was introduced. Basically, my father was and is a Francophile and a French teacher. As he was tapped into the European current, he learned about this amazing new release called "Oxygene" and that was the beginning. Jean-Michel Jarre has been the music of my family's life ever since.
They are here, and they don't know it yet. After all, it's not like electronic music isn't wildly popular. I keep bringing up the example of Trent Reznor and Nine Inch Nails. Reznor has been commercially successful without compromising his art and is widely considered an electronic musical genius in his own right. All of this was capped by his Oscar win for Best Soundtrack for his work on "The Social Network". Yes, I am also a dyed-in-the-wool Trent Reznor admirer, but the point remains. Electronic music has a definite place on the American landscape.
As much as it pains me to admit it, looks and personality weigh in big time with American audiences. Fortunately, I think Jean-Michel Jarre has the whole package, whether he means to or not. In linguistics there is a class of accents called "plus accents", and for Americans a French accent is tops. Jarre goes one better with his clarity of expression and witty, personable style. I suspect he would easily fall into the American idea of "handsome". Like I said, it's awful that I need to even think along these lines, but it's the nature of the beast. On the other hand, if you've got it, flaunt it.
Finally, another thing to consider is the vast desert the music industry has become. This is the perfect time for the new--even if it's actually old. A new way of listening is like finding a new way of thinking, a new way of looking at the world. For us in the States, Jean-Michel Jarre is not only something different, but it's nourishing, the encouragement to maybe reach beyond the limits we've set for ourselves. I would applaud a Jarre renaissance in the States. We need it. Badly.
Being a United States citizen, I've taken a step back to look at musical artists and the whole industry, wondering how would Jarre fit into the aural matrix. First, I refuse to believe that there's not a clandestine population of would-be fans who have simply never been introduced to Jarre and his work. Heck, I have to think of how I myself was introduced. Basically, my father was and is a Francophile and a French teacher. As he was tapped into the European current, he learned about this amazing new release called "Oxygene" and that was the beginning. Jean-Michel Jarre has been the music of my family's life ever since.
They are here, and they don't know it yet. After all, it's not like electronic music isn't wildly popular. I keep bringing up the example of Trent Reznor and Nine Inch Nails. Reznor has been commercially successful without compromising his art and is widely considered an electronic musical genius in his own right. All of this was capped by his Oscar win for Best Soundtrack for his work on "The Social Network". Yes, I am also a dyed-in-the-wool Trent Reznor admirer, but the point remains. Electronic music has a definite place on the American landscape.
As much as it pains me to admit it, looks and personality weigh in big time with American audiences. Fortunately, I think Jean-Michel Jarre has the whole package, whether he means to or not. In linguistics there is a class of accents called "plus accents", and for Americans a French accent is tops. Jarre goes one better with his clarity of expression and witty, personable style. I suspect he would easily fall into the American idea of "handsome". Like I said, it's awful that I need to even think along these lines, but it's the nature of the beast. On the other hand, if you've got it, flaunt it.
Finally, another thing to consider is the vast desert the music industry has become. This is the perfect time for the new--even if it's actually old. A new way of listening is like finding a new way of thinking, a new way of looking at the world. For us in the States, Jean-Michel Jarre is not only something different, but it's nourishing, the encouragement to maybe reach beyond the limits we've set for ourselves. I would applaud a Jarre renaissance in the States. We need it. Badly.
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